This also suggests that Spotify’s decision to remove Young’s music was in compliance with Canadian singer’s wishes, and not retribution for them.
#PROBLEMS CLAIMING SPOTIFY FOR ARTIST UPDATE#
I was prepared to do all I could and more just to make sure that happened.” It’s reasonable to infer from this update that Young retracted his first letter due to legal issues, as he doesn’t own his own masters-they belong to his label, Warner Bros., so he had to clear the move with the company first. “I announced I was leaving anyway, because I knew I was.
Young has not yet stated why he took the initial letter down, but he posted another piece on Wednesday, still up on his archives site, titled “Spotify: In the Name of Truth.” It provides a hint: “Before I told my friends at Warner Bros about my desire to leave the SPOTIFY platform, I was reminded by my own legal forces that contractually I did not have the control of my music to do that,” Young writes. As of this writing, Young’s music is no longer available to stream on Spotify, with the exception of some scattered compilation features as well as the Crosby, Stills, Nash, and Young catalog. Neil Young, however, is the first major artist to strike back against Spotify’s continued platforming of Rogan by weaponizing his catalog. Anthony Fauci has pushed back against Rogan’s snake oil, and earlier this month, 270 global health professionals signed an open letter countering the COVID misinformation on The Joe Rogan Experience. The most popular podcaster in the world has been trafficking in COVID misinformation and promoting quack treatments on his show throughout the pandemic.
Artists have long criticized the streaming platform for not compensating musicians fairly, but Young cited a different reason for his action: Joe Rogan. But the veteran rocker escalated the crusade earlier this week, when he posted (and then deleted) a letter on his website asking his manager and an executive at his label, Warner Bros., to pull his entire catalog from Spotify. Neil Young has never been quiet about his hatred of streaming, Big Tech, or the digitization of the music experience in general.
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